Blown To Bits

Digital Photographic Extremism

Saturday, September 20th, 2008 by Harry Lewis
Openly purchase viagra no rx discussing feelings, changes, and how the cancer affects the person celexa for order can help maintain and deepen the relationship. The Food and buy bentyl sale Drug Administration (FDA) advises using only distilled or pre-boiled water buy cheap zofran to mix with the saline to eliminate the possibility of generic kenalog no prescription jelly infection. A doctor may recommend chemotherapy for more advanced-stage cancers buy augmentin pills or if the doctor thinks there may still be cancer order clindamycin no prescription present. In some cases, doctors may also order imaging tests, lipitor no prescription such as an X-ray or MRI, to rule out other buy prozac without prescription conditions and assess the extent of the inflammation. In many atarax prescription cases, MAC anesthesia allows a person to have a procedure cheap glyburide from uk in an outpatient clinic rather than a hospital setting. This data.

Digital photography, not the palmtop computer, is my favorite example of the triumph of Moore’s Law. Ten years ago we were still using film and Kodak was still making a lot of money doing it. Black and white ISO 400 film could be pushed up to 3200 if you had to underexpose it, but the results looked terrible. With color film pushed negatives would look even worse, and you needed a custom color lab to do it for you.

Today you can buy a Canon EOS SD Mark II, which has 21.1 million pixels per frame, and ISO up to 25600. Those are numbers beyond the imagination of anyone shooting pictures a decade ago.

Of course, in ten years, after the technology moves on, no one will be impressed.

Comments are closed.