The cheap pyrantel pamoate insurance company may allow a person to remove the medical estrace vaginal cream prescription insurance but keep the dental coverage. Individuals with preexisting conditions flovent sale may be less likely to be subject to additional charges purchase free buy low price australia or exclusions that some private insurance companies apply. The researchers buy for on line note that further research is necessary to determine the association spiriva between prostate cancer and HPV. Healthcare professionals can use Pap purchase cheap arcoxia sale overdose smear tests to check a person's cervix for precancerous cells, buy norvasc online which may eventually develop into cancer. Although there is no allopurinol canada treatment for HPV, treatments are available for the health conditions find cialis it can cause. We cannot guarantee that the discounted price cialis pills listed here will exactly match the price at your pharmacy. buy discount no prescription required If you need financial support to pay for bicalutamide, consider looking.

Anthony Tommasini of the New York Times reviews an 80-minute multimedia play about the discovery of spread-spectrum technology, now the basis of much wireless communication, by actress Hedy Lamarr and the avant-garde composer George Antheil. This is the strangest story of technological discovery I have ever heard. Blown to Bits just scratches the surface, but does give the basic outline. Lamarr, familiar with torpedo warfare because her first husband was an Austrian munitions maker, teamed up with Antheil to design a jam-proof torpedo in Hollywood. The control signal would be broadcast at a sequence of frequencies, and the control station and the torpedo would contain synchronized player piano mechanisms with identical scrolls, which would in essence encrypt the signaling sequence. Antheil’s contribution was the idea of using player piano mechanisms, with which he was familiar because he scored his masterpiece, Ballet M?©canique, for 16 player pianos. If you don’t believe me, here’s the patent (Lamarr was using her second husband’s name).

The play, now on stage in a Manhattan theater, includes a complete performance of the Ballet M?©canique. And the review includes a charming and ironic detail: This performance is the first in which the piece sounds as Antheil intended it. He could never figure out how to get 16 player pianos properly synchronized, so earlier performances substituted other instruments.

This entry was posted on Monday, June 9th, 2008 at 9:45 am and is filed under Radio and television. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.